Edgar Degas was one of only a few Impressionist painters to take a serious interest in the print medium. From the mid 1870s he was intensively engaged with printmaking and produced some of the most radically inventive etchings of the nineteenth century. On stage III depicts a ballet performance from the vantage point of the orchestra pit. This etching is closely related to Degas’ pastel-over-monotype Ballet at the Paris Opéra. It was created as a catalogue illustration for an 1877 exhibition organised by Les Amis des Arts de Pau in which Ballet at the Paris Opéra was displayed.