Todd Gray’s work the hidden order of the whole (Venus) is made up of four individually framed photographs that are layered together to create a large-scale sculptural installation. It includes images of historical European gardens, ancient sculptures and a photograph of a dancer who Gray photographed when working with musician MC Hammer. By putting together these seemingly disparate images Gray invites us to reconsider history, as he described it, ‘by juxtaposing signifiers of the West, signifiers of colonisation, and signifiers of the African diaspora I turn photography on its head to show that I am raising questions’.